Peter and Margaret Eastwood believe they’ve purchased their dream home to start their lives together but this house seems to be hiding something dark and terrifying in every corner.
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The South African multi-award winning film about a young South African boy from the ghetto named Tsotsi, meaning Gangster. Tsotsi, who left home as a child to get away from helpless parents, finds a baby in the back seat of a car that he has just stolen. He decides that it his responsibility to take care of the baby and in the process learns that maybe the gangster life isn’t the best way.
A series of snapshots from the life of a fictional actress named Shirley serves to weave together thirteen paintings by Edward Hopper (e.g. “Office at Night”, “Western Motel”, “Usherette”, “A Woman in the Sun”) into a fascinating synthesis of painting and film, personal and political history. Each station in Shirley’s professional and private life from the 1930s to 1960s is precisely dated: It is always August 28/29 of the year in question, as the locations vary from Paris to New York to Cape Cod.
A mismatched collection of conscripted civilians find training tough under Lieutenant Jim Perry and Sergeant Ned Fletcher when they are called up to replace an infantry battalion that had suffered casualties at Dunkirk.
Jin-seok, 21-year-old, moves into a new house with his family. He suffers from a slight schizophrenia but he carries an ordinary life under the warm care of the family. His older brother Yu-seok is a decent college student, a mentor, and role model for Jin-seok. One night, his beloved brother is kidnapped by unidentified assailants before Jin-seok’s eye. Jin-seok can’t recognize their faces, but can remember only the VIN that matches with no car. After long silence of 19 days, suddenly Yu-seok returns home, but remembers nothing which had happened in the meantime. And soon Jin-seok feels Yu-seok is a total stranger…