Sang-yeol, a 30-something loser stuck in a dead-end job as a home-shopping model, is able to marry the girl of his dreams – his modeling colleague So-yeon – when he discovers she’s pregnant with his child. But after marriage an even bigger discovery awaits: the child isn’t his – in fact he’s still a virgin, and he might even be gay…
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Things are different for the Pontipee men now that big brother Adam’s fetched a bride and brought her to their cabin. Indeed, the unwed brothers are so inspired they raid the town and carry off brides of their own!
All the colour, depth and mystery of India’s complex and riotous cultural heritage is brought to light in a single action which changes two countries forever. A proud Indian international student is attacked in a brightly lit train carriage against a backdrop of darkness. Unknown to his attackers his high caste status has little relevance, and in one poignant moment, he is rescued by his counterpart, an ‘untouchable’, a low caste. They are united by what would otherwise be impossible. The highly publicised event sends shock waves through the international community.
Tara Wadia (Farah Karimaee), a singer and girlfriend of a gangster Raghu (Himesh Reshammiya) lives with her mother (Shernaz Patel). She goes to Dublin where she gets detained after being caught with drugs. Tara calls Raghua for help now Raghu must help her and find Anirudh Brahman, the stranger who met Tara on Facebook and invited her to Ireland.
An anarcho-absurdist blood-soaked grand guignol indie flick with attitude to burn, this is the pitch perfect youth movie from Hong Kong. A twenty-something punk fancies himself a total player, but the best job he can find is overnight clerk at a convenience store. The other clerk is a cute chick and you’re thinking “rom com,” but then there’s a robbery, a gangster, a shoot-out, and by the time a neighbor is pulling out a homemade bomb, you realize that this violent farce is all about the current situation in Hong Kong where nothing makes sense, the heartless wipe their feet on the hopeless, and you might as well burn it all down because there are no more better tomorrows.