Patagonia narrates the journeys of two women – one looking for her past, the other for her future. The film inter-cuts between their stories, in which one of them travels south to north through the Welsh springtime and the other east to west through the Argentine autumn.
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Emily Lindstrom, 14, is an aspiring concert violinist; she’s spending the summer practicing for a big audition while her girlfriends are at camp. She’s also got a thriving neighborhood business: for 50 cents, she’ll keep your secret. Her mother is very pregnant, and her parents seem more concerned about the new baby than anything Emily cares about. A new family moves in next door; their son, Philip, 12, becomes Emily’s friend. Eventually, the weight of Emily’s secrets – her own, the ones she’s keeping professionally, and a secret Philip tells her, send her life temporarily crashing down.
Major Bill Cage is an officer who has never seen a day of combat when he is unceremoniously demoted and dropped into combat. Cage is killed within minutes, managing to take an alpha alien down with him. He awakens back at the beginning of the same day and is forced to fight and die again… and again – as physical contact with the alien has thrown him into a time loop.
A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)
The behind-the-scenes true life story of a groundbreaking producer, Milton Fruchtman, and blacklisted TV director Leo Hurwitz who, overcoming enormous obstacles, set out to capture the testimony of one of the war’s most notorious Nazis, Adolf Eichmann, who is accused of executing the ‘final solution’ and organising the murder of 6 million Jews. This is the extraordinary story of how the trial came to be televised and the team that made it happen.
An unmarried 40-year-old woman turns to a turkey baster in order to become pregnant. Seven years later, she reunites with her best friend, who has been living with a secret: he replaced her preferred sperm sample with his own.
Biarritz. 16 year-old George, the high-school hottie, falls in love with Alex. To get his attention, she initiates a group game with Alex, Nikita, Laetitia and Gabriel. They will discover, test, and push the limits of their sexuality.
Sheriff Rockwell is settling into an unwanted retirement until his old war buddy and neighboring Sheriff is mysteriously shot. When overlooked evidence points to corruption, Alden must take the investigation into his own hands or else standby while a greater evil takes over the town.
Sir Robert Beaumont is behind schedule on a railroad in Africa. Enlisting noted engineer John Henry Patterson to right the ship, Beaumont expects results. Everything seems great until the crew discovers the mutilated corpse of the project’s foreman, seemingly killed by a lion. After several more attacks, Patterson calls in famed hunter Charles Remington, who has finally met his match in the bloodthirsty lions.
When record store owner Rob Gordon gets dumped by his girlfriend, Laura, because he hasn’t changed since they met, he revisits his top five breakups of all time in an attempt to figure out what went wrong. As Rob seeks out his former lovers to find out why they left, he keeps up his efforts to win Laura back.
A young man goes from China to Hollywood on short notice to find his girlfriend. He ends up connected with two others in his quest, which gets much more complicated than he envisioned.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.