Margot and her son Claude decide to visit her sister Pauline after she announces that she is getting married to less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a mess of thrashed relationships and exposed family secrets.
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A grieving father in a downward spiral stumbles across a box of his recently deceased son’s demo tapes and lyrics. Shocked by the discovery of this unknown talent, he forms a band in the hope of finding some catharsis.
What secret lay behind the dreaded Marsh Phantoms, the ghostly riders whose silent approach in the darkness of the bleak, unwelcoming Romney Marshes causes men to die of fright? Are they a genuine manifestation or a cover for illegal smuggling activities. Perhaps Dr Blyss, the benign vicar of the quiet village of Dymchurch, knows the truth about the ruthless pirate and smuggler who lies buried in the village graveyard and can unravel the phenomenon of the curse of Captain Clegg.
On a March night in 1964, 37 neighbors in Queens, New York, witness the brutal murder of Kitty Genovese. None of them takes action or calls the police. 37 tells the story of a few of these people and what led up to the night when they unexplainably remained passive observers. The film is a convincing portrayal of a borough in change and a time characterized by racism, the Civil Rights Movement and political shifts. The actual event that inspired the film’s plot has been called a symbol for the moment when America lost its innocence. The director Puk Grasten skillfully weaves into her feature film debut various fates, dreams and family conflicts by leading us through an apartment building that comes to bear a collective failure.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
The second movie in David Hare’s Johnny Worricker trilogy. Loose-limbed spy Johnny Worricker, last seen whistleblowing at MI5 in Page Eight, has a new life. He is hiding out in Ray-Bans on the Caribbean islands of the title, eating lobster and calling himself Tom Eliot (he’s a poet at heart). We’re drawn into his world and his predicament when Christopher Walken strolls in as a shadowy American who claims to know Johnny. The encounter forces him into the company of some ambiguous American businessmen who claim to be on the islands for a conference on the global financial crisis. When one of them falls in the sea, their financial PR seems to know more than she’s letting on. Worricker soon learns the extent of their shady activities and he must act quickly to survive when links to British prime minister Alec Beasley come to light.
This animated adventure retells the story of the lost daughter of Russia’s last czar. The evil Rasputin places a curse on the Romanov family, and Anastasia and her grandmother, Empress Maria, get separated. After growing up in an orphanage, Anastasia encounters two Russian men seeking a reward offered by Empress Maria for the return of her granddaughter. The trio travels to Paris, where they find that the empress has grown skeptical of imposters.